Grainger-Cross Free Music Machine (graphical, optical control of synthesis) developed by Percy Grainger and Burnett Cross. High-quality, stereo, magnetic tape recorder. 1, the first performance to include live electronics. John Cage performs Imaginary Landscape No. Jo Scherpenisse, Andrew Sorensen, Ken Steiglitz, Kees Tazelaar, Peter Thorne, Matt Wright, David Zicarelli, and the editor of this publication, Roger Dean-my gratitude and many thanks to everyone for helping to make this as complete and accurate as possible. 1Īcknowledgments: Many colleagues and friends have assisted in this chronology they include Clarence Barlow, Natasha Barrett, Richard Barrett, Paul Berg, Phil Burke, Max Burnet, Warren Burt, Nicolas Collins, Perry Cook, Nick Didkovsky, Richard Dudas, Tom Erbe, Ricardo Dal Farra, Kelly Fitz, Adrian Freed, Christian Haines, Paul Lansky, alcides lanza, Mats Lindström, Cort Lippe, Jean Piché, Larry Polansky, Miller Puckette, Curtis Roads. Please see the references for a more detailed treatment of earlier events and of analog electronic music. In addition, this concentrates on computer music and includes only those details of analog electronic music as are important for computer music or to set a context. P re-1980 events are included with less detail as the focus for this volume is on later events. Appendix: A Chronology of Computer Music and Related Events.Framing Learning Perspectives in Computer Music Education.From Outside the Window: Electronic Sound Performance.Computational Modeling of Music Cognition and Musical Creativity.Generative Algorithms for Making Music: Emergence, Evolution, and Ecosystems.The Voice in Computer Music and Its Relationship to Place, Identity, and Community.Sensor-Based Musical Instruments and Interactive Music.Gesture and Morphology in Laptop Music Performance.Dancing the Music: Interactive Dance and Music.Combining the Acoustic and the Digital: Music for Instruments and Computers or Prerecorded Sound.Some Notes on My Electronic Improvisation Practice.Envisaging Improvisation in Future Computer Music.Computational Approaches to Composition of Notated Instrumental Music: Xenakis and the Other Pioneers.Early Hardware and Early Ideas in Computer Music: Their Development and Their Current Forms.A Historical View of Computer Music Technology.Introduction: The Many Futures of Computer Music.
0 kommentar(er)
